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ウィリアム・モリスと詩のコックニー派 : 『グウィネヴィアの弁明とその他の詩』を契機として
https://doi.org/10.15057/71651
https://doi.org/10.15057/716511d551918-c06f-4e89-9837-ac02f072a905
| 名前 / ファイル | ライセンス | アクション |
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jinbun0001500390.pdf (1111956 bytes)
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| アイテムタイプ | デフォルトアイテムタイプ（フル）その２(1) | |||||||||
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| 公開日 | 2021-04-22 | |||||||||
| タイトル | ||||||||||
| タイトル | ウィリアム・モリスと詩のコックニー派 : 『グウィネヴィアの弁明とその他の詩』を契機として | |||||||||
| 言語 | ja | |||||||||
| タイトル | ||||||||||
| タイトル | William Morris and his relation to the Cockney School of Poetry: Evidence from The Defence of Guenevere and Other Poems | |||||||||
| 言語 | en | |||||||||
| 作成者 |
江澤, 美月
× 江澤, 美月
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| アクセス権 | ||||||||||
| アクセス権 | open access | |||||||||
| アクセス権URI | http://purl.org/coar/access_right/c_abf2 | |||||||||
| 内容記述 | ||||||||||
| 内容記述タイプ | Abstract | |||||||||
| 内容記述 | This article focuses on the aspect of William Morris as a poet, not as a designer. Peter Faulkner explains in his William Morris : The Critical Heritage that The Defence of Guenevere and Other Poems, Morris’s first volume, was classified as Pre-Raphaelite poetry. However, this article argues that Morris is more properly viewed as one of the successors of the Cockney School of Poetry. An article in The Saturday Review criticised the revolution Wordsworth introduced in Lyrical Ballads. Similar to critiques of the “prosaicness” of Pre-Raphaelite painting, the criticism was directed towards the use of vernacular language and the ignorance of poetic diction. Another review in Spectator classified Morris as Cockney School and suggested similarities with Tennyson. A review by Arthur Henry Hallam, Tennyson’s best friend, demonstrated that the Cockney School was a scornful attribution not only to Keats, but also to Hunt, a promoter of Keats. The reason for the attacks against the Cockney School was due to the reactional conservatism after the Napoleonic War. Not only Hunt, a journalist, but also Keats, a poet, were considered republicans. Besides having contacts with other Cockney School poets, Hunt also associated with Rossetti, a Pre-Raphaelite. Hunt, therefore, was a vital link in the connection between the Cockney School and Pre-Raphaelitism. Although Hunt never reviewed the works of Morris publicly, The Saturday Review criticised the microscopic descriptions which Morris employed in his poems. Hunt noted the same tendency in Keats, and Hunt’s reference to Balthasar Denner, a super-realistic painter, suggests that Morris used this method to make ordinary people visible as Keats did in his poems, and as Wordsworth did in his Lyrical Ballads. This collection of evidence suggests that Morris is more correctly classified as belonging to the Cockney School rather than amongst the Pre-Raphaelites. | |||||||||
| 言語 | ja | |||||||||
| 出版者 | ||||||||||
| 出版者 | 一橋大学全学共通教育センター | |||||||||
| 日付 | ||||||||||
| 日付 | 2021-03-25 | |||||||||
| 日付タイプ | Issued | |||||||||
| 言語 | ||||||||||
| 言語 | jpn | |||||||||
| 資源タイプ | ||||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||||
| 資源タイプ | departmental bulletin paper | |||||||||
| 出版タイプ | ||||||||||
| 出版タイプ | VoR | |||||||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||||||
| selfDOI | ||||||||||
| ID登録 | 10.15057/71651 | |||||||||
| ID登録タイプ | JaLC | |||||||||
| 収録物識別子 | ||||||||||
| 収録物識別子タイプ | ISSN | |||||||||
| 収録物識別子 | 1882-4625 | |||||||||
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| 収録物識別子タイプ | NCID | |||||||||
| 収録物識別子 | AA12204025 | |||||||||
| 収録物名 | ||||||||||
| 収録物名 | 人文・自然研究 | |||||||||
| 巻 | ||||||||||
| 巻 | 15 | |||||||||
| 開始ページ | ||||||||||
| 開始ページ | 39 | |||||||||
| 終了ページ | ||||||||||
| 終了ページ | 53 | |||||||||
